Weed Choked Garden
2005
Thermoset plastic, polymer, oil paint, PETG, stainless steel, lacquer, epoxy, pigment.
63 x 139 x 69.5 inches.
http://www.jamescohan.com/artists/roxy-paine/
The beautiful reclamation of spaces by systematic vegetation.
Roxy Paine
Weed Choked Garden
2005
Thermoset plastic, polymer, oil paint, PETG, stainless steel, lacquer, epoxy, pigment.
63 x 139 x 69.5 inches.
http://www.jamescohan.com/artists/roxy-paine/
The beautiful reclamation of spaces by systematic vegetation.
Doris Salcedo
Noviembre 6 y 7
2003
280 Chair
http://www.whitecube.com/artists/salcedo/
Compelling furniture- who knew? (Couldn't find a good picture)
Cornelia Parker
Cold Dark Matter: An Exploded View
1991
A garden shed and contents blown up
Dimensions variable
http://www.frithstreetgallery.com/artists/bio/cornelia_parker
Her hanging works have a unique presence.
Vik Muniz
I'm too sad to tell you (after Bas Jan Ader)
c-print
c-print
2003
Perfectly questions traditional materials and representation.
Chris Millar
Facebitor
Acrylic on canvas
33"x40"
2006
http://www.trepanierbaer.com/selectedWork.asp?ArtistID=72
Innumerable combinations of content allow his work to evolve.
Gregory Crewdson
Untitled (Shane)
Summer 2006
Archival inkjet print
Edition of 6 and 2 Artist's Proofs
Print: 57 x 88 inches
http://www.luhringaugustine.com/index.php?mode=artists&object_id=66
Beautifully crafted ambiguity.
Marie Lannoo
100 TIMES
2005
acrylic on panel
48 x 48 x 2¾ inches
acrylic on panel
48 x 48 x 2¾ inches
Marcel Dzama
| Untitled 2003 |
| Ink, watercolor and root beer on paper 14 x 11 Inches |
Sharp and bizarre, Marcel's images haunt me.
Scott McFarland
Stables on Dr. Young’s Property, 3226 W. 51st. Vancouver
2005
digital c-print
digital c-print
40 x 120 inches
The affected landscape.
Vic Cicansky
Armchair Tomato
2006
Dense foam, hardcoating, paint/UV, clearcoat
46" x 47" x 44" 1/5
Dense foam, hardcoating, paint/UV, clearcoat
46" x 47" x 44" 1/5
Absurd sculpture that's strangely poignant.
Guy Bourdin
Untitled (Charles Jourdin ad)
1977
[not accurate]
Quite simply- he made better art than most so called artists.
Dagmara Genda
BIRD EXPLOSION I
2007
latex paint, pigment liner, paper
44 x 30in, 112.5 x 77cm
http://www.dagmaragenda.com/
Exquisite drawings, a pleasure for the eye and head.
Philip-Lorca diCorcia
New York City, 1984
2003
http://www.davidzwirner.com/artists/115/index.htm
The perfect blend of the practiced and the casual.
Bernd & Hilla Becher
Blast Furnace, Youngstown Ohio, USA
1981
Gelatin silver print
http://www.masters-of-fine-art-photography.com/02/artphotogallery/photographers/bernd_and_hilla_becher_01.html
The unavoidable beauty of the manufactured, preserved for our pleasure.
Dan Kopp
| Untitled (+ The Ethiopian, lrgr; 2 works) |
| gouache on panel |
| 15.9 x 24 in. / 40.3 x 61 cm. |
| 2002 |
http://ctrlgallery.com/cms/artists/dan-kopp/
Dan's landscapes are exciting- being both vivid and subtle.
Michael Harrington
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http://www.artnet.com/artist/423969374/michael-harrington.html
Banal yet sinister paintings with an amazing amount of atmosphere. And I'm always into ambiguous narrative.
Elana Willis
http://www.elenawillis.com/
Elana's images are often things I've never imagined- that's about as exciting as it gets.
Joel Sternfeld
Joel Sternfeld
After A Flash Flood, Rancho Mirage, California 1979
(from American Prospects)
n:1979, p:2003
Digital C-Print
48 X 60 inches
http://www.luhringaugustine.com/index.php?mode=artists&object_id=67
Skills skills skills. The man has eyes and he knows what to do with them.
Panos Kokkinias
Aliki 2007
Digital Chromogenic Fujicolor Chrystal Archive print
120 x 177 cm (47.24 x 69.69 inch)
http://www.xippas.com/en/artist/panos_kokkinias
Solid photography. Suggestive, ambiguous, beautiful.
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