Spanish Banks West, edition of 7
|lightjet output on chromogenic print|
| 38 x 72 in.|
Atco Concrete Debris Coal Harbour Vancouver
Transmounted lightjet photographic print
27" × 46"
240 x 160 cm
His Tableaux series is outstanding, sweet sweet banality.
oil on linen
6' X 15'
His subltly bizzare paintings are flawlessly executed. It's a shame he doesn't have a website.
Holy Land memory
|mixed media on canvas|
|59.1 x 59.1 in. / 150 x 150 cm.|
A unique, subtle style of landscape.
acrylic on canvas
Motion and force, simply.
(Max Dean, Raffaello D'Andrea, Matthew Donovan)
The Robotic Chair
aluminum chassis, fibreglass
carbon fibre chair with wood veneer
mechanics and electronics
84 x 49 x 44 cm
A simple and direct way of redefining object, as well as artist.
Also check out.
Cold Dark Matter: An Exploded View
A garden shed and contents blown up
Her hanging works have a unique presence.
Acrylic on canvas
Innumerable combinations of content allow his work to evolve.
Archival inkjet print
Edition of 6 and 2 Artist's Proofs
Print: 57 x 88 inches
Beautifully crafted ambiguity.
|Ink, watercolor and root beer on paper|
14 x 11 Inches
Sharp and bizarre, Marcel's images haunt me.
Stables on Dr. Young’s Property, 3226 W. 51st. Vancouver
40 x 120 inches
The affected landscape.
Blast Furnace, Youngstown Ohio, USA
Gelatin silver print
The unavoidable beauty of the manufactured, preserved for our pleasure.
Banal yet sinister paintings with an amazing amount of atmosphere. And I'm always into ambiguous narrative.
After A Flash Flood, Rancho Mirage, California 1979
(from American Prospects)
48 X 60 inches
Skills skills skills. The man has eyes and he knows what to do with them.