Clyfford Still

68 x 62"
Oil on Canvas

The best "abstract expressionist" bar none.

Jeff Wall

After "Invisible Man" by Ralph Ellison, the Prologue
photo transparency mounted on a lightbox
174 cm x 250.5 cm

A Canadian icon for a reason. Despite this fact he has no good website.

Christos Dikeakos

Atco Concrete Debris Coal Harbour Vancouver

Transmounted lightjet photographic print
27" × 46"

Sean Caulfield

Smoke House
31 x 22 in79 x 59 cm
Mezzotint,Etching,Chine Colle

Delicate line-compellingly bizzare, what more could you ask for?

Christopher Pratt

Gaspé Passage
colour serigraph on Rising Museum board
51.2 x 81.8 cm

An unbelievably consistent artist, a true national treasure. Skillful simplicity, purpose and execution.

Richard Serra

"Richard Serra Sculpture 1985-1998"
Exhibition shot, 1999
The Guggenheim Museum Bilbao, Spain

Epic, simple, profound, beautiful- I could go on.

Just run a google serch and look at the images, there's no one site that has the upper hand here.

Dulcie Foo Fat

Mountain Gentian
oil on canvas
20" x 20"

Exquisite microcosms.

John Brocke

oil on linen
6' X 15'

His subltly bizzare paintings are flawlessly executed. It's a shame he doesn't have a website.

Andreas Gursky

F1 Boxenstopp I
Edition of 6
87 9/16 x 239 3/8 in. (222.4 x 608 cm) (incl. frame)

The exquisite spectacle.

Mark Lewis

Rush Hour, Morning and Evening, Cheapside
Single screen projection, 4 minutes 34 seconds, super 35mm transferred to HD video

One of many consistently great videos.

Balint Zsako

watercolour and ink on paper
40.6 X 30.5

An honest and contemporary examination of our relationship with our bodies. To say the least.

Max Dean

(Max Dean, Raffaello D'Andrea, Matthew Donovan)

The Robotic Chair

aluminum chassis, fibreglass
carbon fibre chair with wood veneer
mechanics and electronics
84 x 49 x 44 cm

A simple and direct way of redefining object, as well as artist.

Also check out.

Lynne Cohen

(Freud bed)
2007, ed. 2/5
42" x 50"

One of the best photographers. 30 years of cempelling art can't be wrong.

Martin Parr

Greece, Athens, Acropolis

I don't know how he finds these shots, but I'm glad he does. Unique, honest moments.

Roxy Paine

Weed Choked Garden
Thermoset plastic, polymer, oil paint, PETG, stainless steel, lacquer, epoxy, pigment.
63 x 139 x 69.5 inches.

The beautiful reclamation of spaces by systematic vegetation.

Doris Salcedo

Noviembre 6 y 7
280 Chair

Compelling furniture- who knew? (Couldn't find a good picture)

Vik Muniz

I'm too sad to tell you (after Bas Jan Ader)

Perfectly questions traditional materials and representation.

Chris Millar

Acrylic on canvas

Innumerable combinations of content allow his work to evolve.

Gregory Crewdson

Untitled (Shane)
Summer 2006
Archival inkjet print
Edition of 6 and 2 Artist's Proofs
Print: 57 x 88 inches

Beautifully crafted ambiguity.

Marie Lannoo

acrylic on panel
48 x 48 x 2¾ inches

Mesmerizing depth- truly unique. These need to be seen in person to really be appreciated. [the bad photo doesn't help]

Marcel Dzama

Ink, watercolor and root beer on paper
14 x 11 Inches

Sharp and bizarre, Marcel's images haunt me.

Scott McFarland

Stables on Dr. Young’s Property, 3226 W. 51st. Vancouver
digital c-print

Eric Cameron

The art of process at its most direct and compelling.

Vic Cicansky

Armchair Tomato 
Dense foam, hardcoating, paint/UV, clearcoat
46" x 47" x 44" 1/5

Absurd sculpture that's strangely poignant.

Guy Bourdin

Untitled (Charles Jourdin ad)
[not accurate]

Quite simply- he made better art than most so called artists.

Bernd & Hilla Becher

Blast Furnace, Youngstown Ohio, USA
Gelatin silver print

The unavoidable beauty of the manufactured, preserved for our pleasure.

Dan Kopp

Untitled (+ The Ethiopian, lrgr; 2 works)
gouache on panel
15.9 x 24 in. / 40.3 x 61 cm.

Dan's landscapes are exciting- being both vivid and subtle.

Michael Harrington

Figures in the Backseat
Oil on canvas
60 x 40 in / 152.4 x 101.6 cm

Banal yet sinister paintings with an amazing amount of atmosphere. And I'm always into ambiguous narrative.

Elana Willis

Elana's images are often things I've never imagined- that's about as exciting as it gets.

Joel Sternfeld

Joel Sternfeld
After A Flash Flood, Rancho Mirage, California 1979
(from American Prospects)
n:1979, p:2003
Digital C-Print
48 X 60 inches

Skills skills skills. The man has eyes and he knows what to do with them.

Panos Kokkinias

Aliki 2007
Digital Chromogenic Fujicolor Chrystal Archive print
120 x 177 cm (47.24 x 69.69 inch)

Solid photography. Suggestive, ambiguous, beautiful.